Update: At the NC Writer’s Network’s fall conference, I learned that new-adult is no longer a thing! Learn more here.
I used to read a lot of young adult fiction (YA) books. I liked how the characters were learning about themselves, forming relationships, and discovering the truth about the world. But I got tired of reading about teenagers; I hadn’t learned and discovered all this stuff until I was 30 or even 40!
When I first tried writing fiction, I decided to write the book I wanted to read: a YA-like book with older characters. Then I discovered that new-adult fiction (NA) was actually a thing. Since then, I’ve been trying to read NA books, but they’ve been hard to find. What exactly counts as NA?
What Makes a Book “New Adult”?
Wikipedia (as of October 2018) describes NA as having “protagonists in the 18–30 age bracket” with a “focus on issues such as leaving home, developing sexuality, and negotiating education and career choices.”* This sounds hopeful.
I’ve ordered some of the new-adult books I’ve read about online, and so far they all have characters aged around 20. This disappoints me a little, because I wanted books written for my age group. But 20ish is the age of the former YA audience who are now new adults, whom publishers may see as the biggest market. When I wrote The Knowledge Game, the characters were 30, but the editor I worked with suggested I make them 25 to help the book sell to a publisher. I guess I can look forward to ten years on, when the original YA readers age into their thirties, along with our characters.
NA is about more than the protagonist’s age. Like YA, it seems to include the characters’ emotions and thoughts, with the reader following along as the character changes. When I started a NA shelf in my library, I considered the books in my adult fiction section. Some of the books written before NA became a thing seem to embody the NA ethos. I decided that Sophie Kinsella and Emily Giffin both count as NA, because their 20-something characters are struggling with relationships, careers, and making it in the world, and changing internally as their stories progress. I decided NOT to shelve Jasper Fforde’s Tuesday Next books in NA, however. Even though Tuesday is the right age, those books focus on Tuesday’s world and the action she’s involved in, not on her inner changes.
New Adult Sub-genres
So far, the NA books I’ve read focus on contemporary romance. While I love contemporary romance, I was kind of hoping NA would include the range that YA does: dystopian futures, science fiction technologies, fantasy worlds, mythical creatures. Maybe I just haven’t found these books yet, or maybe they are coming. For some reason, I have this fear that NA will be stifled before it takes off—if publishers decide that all the money is in contemporary romance.
I also hope that NA will be allowed to include larger, deeper books. I want it to include two recent books I loved: (1) Emily Croy Barker’s The Thinking Woman’s Guide to Real Magic (see my review) features a graduate student who stumbles through a portal into a world filled with magic. She has to escape evil fairies and train with a grouchy wizard before she’s able to find her way home… and by then she isn’t sure she wants to go home. (2) Holly Goddard Jones’s The Salt Line (see my review) is set in a future where disease-ridden ticks have forced humans to live in isolated cities, and a trip into the woods is considered an extreme adventure.
Here’s what my NA shelf looks like so far:
What About Historical NA?
During this process, I wondered about some of the older books on my shelf. There’s a series I loved in the 1990s by Cindy Bonner that starts with Lily, featuring a teenager growing up and falling in love in 1800s Texas. This book should be YA, but I can’t bring myself to move it off the adult fiction shelf. Is it because it was written before YA became a thing? Or because its target audience was not teenagers?
And what about classics like books by Jane Austen or the Brontes? They feature teenagers and new adults, with many of the right themes: difficult family dynamics, evil bosses, the love interest who stops by for tea. The themes are universal, but somehow these books in historical settings don’t seem to gain access to the shelves of YA or NA. Maybe this again has to do with marketing—publishers don’t include them in the genre because there’s no money to be made.
I’m excited to see where the NA genre goes, and hopeful that it will thrive in various forms in the current publishing world, perhaps via the new models of publishing like hybrid and self-publishing. If you have a favorite NA book please share it in the comments!
* https://en.wikipedia.org/wiki/New_adult_fiction, accessed October 7, 2018