Life is busy! (Will I ever start a news post with anything else?) Here’s what I’ve been working on.
Upcoming Events: Bread and Self-Publishing
On May 5 I’ll once again be at the Asheville Bread Festival. I’m teaching beginning kneading (tickets available here) at 10 AM at Living Web Farm, and after class I’ll head back to the Bread Fair at New Belgium Brewing to run my booth. I’m also planning to attend the baker’s dinner. If you’re in town I hope you’ll say hi! More details are at ashevillebreadfestival.com or in this PDF.
My June class at the Folk School is full, but I’ll teach “The Science of Bread” again January 6–12, 2019, and “Baking Traditional Breads” May 26–June 1, 2019.
On May 20, I’m giving a free talk about self-publishing at the Orange County library in Hillsborough, NC. I’ll give an overview of the whole process from a DIY perspective, but pointing out places where one might hire help. The talk is free but the library asks attendees to register, here: www.bit.ly/ocplwriting. View the poster (PDF) here. Here is the copy from the poster:
What does it take to self-publish a book? And what is the smartest route to take? With all of the self-publishing services available today, the process can be confusing.
Author Emily Buehler self-published her first book in 2006, before many of today’s services were available. As a result, she took a “DIY” approach. She’ll present an overview of the entire process (finding a printer, designing the book, forming a business, marketing, distributing print books and e-books, and much more) and what it takes to do it yourself. If you decide that self-publishing is right for your manuscript, you’ll know what you face. You can then consider which parts of the process (if any) you’d like to outsource and the smartest way to go about it.
The Internet has made self-publishing a viable option for authors, enabling them to sell books across the world, and author-publishers are now gaining acceptance in the publishing world. It’s an exciting time to self-publish—come learn all about it!
Writing: Clearing the Clutter, and Making a Map
This past month I received my dystopian fiction novel back from developmental editor Tanya Gold. I trust and respect Tanya, but it was hard to see how much she suggested cutting. My immediate reaction was that “publishers today must not want description.” But I could see swathes of description in other books in the genre.
Then last weekend, I attended the NC Writers Network’s Spring Conference. The first class I took was “Essentials of Scene Crafting” with Heather Bell Adams. As soon as Heather began talking, explaining the difference between scene and summary, I could see what Tanya’s edits were about: a lot of my description occurred while the main character was, for example, walking home from work and thinking, and thus explaining to the reader—nothing was really happening, and the reader wasn’t in the scene. I had turned in Tanya’s version of my manuscript to the last event of the day: Slush Pile Live. When the time came, two of the editors on the panel listened to my entire submission without quitting! Read more about the Slush Pile Live experience, and the helpful tips it offered, on my editor blog: http://www.emilyeditorial.com/getting-through-the-slush-pile/
Other highlights of the conference were the opening address by Jill McCorkle and my afternoon class with David Halperin. Jill read an essay she’d written that included the idea of being haunted by memories, particularly of places, and spoke about the balance between letting your subconscious do the work of writing, and the hard work of revising. David’s class was “Writing the Character You Know Best.” I’d always considered it a flaw that my characters were rooted in my own personality, but David spoke about it as normal and even beneficial.
I won’t list all the additional minutiae of why I loved the conference, but I’m now looking forward to the three-day fall conference, where I’ll have an opportunity to meet agents and editors. This gives me a deadline for incorporating Tanya’s suggestions, revising, and getting my book (and myself) in shape. One way I will do that is with a book map. This past month, I took a class with Heidi Fiedler on book mapping. I used one of my romance novel manuscripts in the class, but I’m eager to apply all I learned to my dystopian novel. You can read about book mapping here: http://www.emilyeditorial.com/book-mapping/
Editing: Beta Reading and Bombs
Another class I took this spring was developmental editing of nonfiction. At first, I found it hard to ignore copyediting, to focus on the big picture, but after a while I got into it. While I don’t know if I’ll want to move in that direction as an editor, I wanted to understand what the process entails. Even if I’m working as a copyeditor, I’d like to recognize developmental faults in manuscripts, and the material interested me as a writer. The class helped me classify the services I do offer; for example, what some editors call “content editing” makes sense to me as a beta read with comments. I rewrote the services page of the Emily Editorial website (here).
The classes I took also caused me to think about editing fees, and what they cover. I blogged about that here: http://www.emilyeditorial.com/the-cost-of-editing/
Finally, I’m excited to share a link to a report I worked on for much of last summer: Reducing the Threat of Improvised Explosive Device Attacks by Restricting Access to Explosive Precursor Chemicals. I participated in several rounds of edits and helped with a final copyedit this spring. I also helped draft a summary booklet on the topic (not yet available). The report is available as a free PDF here.